The London launch for The Tree That Bleeds will take place at Arthur Probsthain, 41 Great Russell Street (just opposite the British Museum) between 6.30-8.
Mr Leonard Bernstein’s eloquent disclaimer regarding certain aspects of Mr Glenn Gould’s interpretation of the Brahms No. 1 Piano Concerto, before a concert in April 1962. He was particularly referring to Gould’s insistence that the entire first movement be played at half the indicated tempo. Gould was no lover of public recitals. He called them ‘the last remaining blood sport’. He gave his last public performance in 1964. He was 31. This perhaps give some indication of why he found it distasteful:
I believe that the justification of art is the internal combustion it ignites in the hearts of men and not its shallow, externalized, public manifestations. The purpose of art is not the release of a momentary ejection of adrenalin but is, rather, the gradual, lifelong construction of a state of wonder and serenity
Here are some pictures of Gould during recordings of Bach’s Goldberg Variations.
Oh, and if you’ve made it this far, here are the sounds themselves:
The end of the 1st movement of the Bach Concerto in D Minor
From the 1982 Recording of Bach’s Goldberg Variations, on which you can clearly hear Gould’s singing/humming:
I’m delighted to have been asked to take part in an event at this year EIBF. I’ll be reading alongside Roger Hunt, whose book is about his experience as a hostage in Mumbai in 2008.
The event is on Friday 19th August, at 11.00 a.m. For more details of the event, click here