I’m currently reading (and much enjoying) Frank Kermode’s (1967) The Sense of an Ending, which is about how narratives, both spiritual and profane, use their respective ends (often death, and the Apocalypse) to structure themselves.

The age of perpetual transition in technological and artistic matters is understandably an age of perpetual crisis in morals and politics. And so, changed by our special pressures, subdued by our scepticism, the paradigms of apocalypse continue to lie under our ways of making sense of the world.

There’s a piece on him in today’s Guardian, and he’s also giving a talk on ‘Shakespeare and the Shudder’ on February 8th at the British Museum. He has two new books coming out, one on E.M. Forster, the other a collection of pieces from the LRB.

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