Last weekend I went to Gulsay Cemetery at the south end of Ürümchi, back behind the power plants right next to lowest foothill of the eastern section of Heavenly Mountains. Many Uyghur, Kazakh and Hui heroes are buried in this cemetery; people often just refer to it as “the Muslim cemetery.” Looking at the markings around you, it feels as though you are in a completely Muslim world. In the Uyghur section of the cemetery all of the signs are in the Arabic script of modern Uyghur. There is little sign in this community of the dead that this cemetery is in the largest Chinese city in Central Asia. But if you look a few hundred meters away you immediately recognize that the city is now even here: the last stop on 308 bus line. Giant earth moving machines prowl the nearby city landfill; sunlight reflects off of the CITIC…

One of the emerging trends among young Uyghur film directors is a new attention to documentary filmmaking. This approach has long been a part of Uyghur cinema, but previously it was often part of a larger public relations presentation sponsored by the Chinese Culture Ministry. These new documentary short films are independently produced on limited budgets by young filmmakers who have an intimate knowledge of their subjects.

Ever since Kasim Abdurehim, the founder of the private English school Atlan, took third place in the national English speaking contest in 2004, Uyghurs have found their way into the final rounds of almost every major English speaking competition in the nation. This year was no exception. The main difference is that now Uyghurs are learning how to be confident in their English ability at a younger age. It is because of people like Kasim and dozens of other award winning role models that kids like 14 year-old Tughluk Tursunjan feel confident on a national stage. Although Uyghurs represent less than one percent of China’s population, they still consistently beat Han contestants from the best schools in the country.

Tughluk, who was this year’s winner of the Junior High School division of the “Outlook of Hope” contest on CCTV was taught by an English instructor named Nemo…

A rifle and sword tied together with a red flag over a meter of Gobi sand welcomes visitors to the Xinjiang Production and Construction Corps Museum in the city of Shihezi – 136 kilometers northwest of Ürümchi.  This museum, filled with patched and dented artifacts and hundreds of large scale historical photos, is the premiere monument to the Han experience of the recent past in Xinjiang. It shows us the narrative of experience necessary to understand the history of the people who self-identify as “constructors” (jianshezhe) of Xinjiang.

The Bingtuan, as the Corps is referred to by locals, is a state-sponsored farm system that is spread across the territory of Xinjiang – an area as large as California, Nevada, Utah, Arizona, Colorado and New Mexico combined. Hundreds of regiments are still in operation 60 years after their founding. Out of this population of around 3 million military farmers…